BLOG

by Amy Twigger Holroyd World 54, Exploration A: Garment production has been severely limited in this parallel world, leading to a creative and resourceful fashion culture. People dress up in items that they find around the home, including those we would not think of as conventional garments – such as this inventively styled curtain. Created by Johnny O’Flynn, Gillian Allsopp, Kate Harper and an anonymous contributor (UK), developed from a fiction by Wendy Ward (UK). Photograp

by Kat Sark Orsola de Castro, 2023, photo by Dvora.Photography Kat Sark: Dear Orsola, thank you kindly for taking the time to talk to us! Most people know you as the founder of Fashion Revolution and your last book Loved Clothes Last (2021). Could you please tell us more about your current work and some of your current projects? Orsola de Castro: So, I left Fashion Revolution and I re-formed Esthetica , which was originally the sustainable fashion area for the British Fash

by Sandra Jäger Illustration by Sandra Jäger A Method and Framework for Investigating Creativity in Fashioning Self-Identity In everyday life and within academia there has been a t endency to believe in the "geniuses" that are the heralds of creativity (Glăveanu 2014:85). Our entire system is built on promoting this idea and that creativity flourishes in certain fields, often the arts. However, creativity is not for artistic elites, the acclaimed, or the famous. It is constan